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Open a larger version of the following image in a popup: Edoardo Villa, Untitled (Marvo), 1993
Open a larger version of the following image in a popup: Edoardo Villa, Untitled (Marvo), 1993
Open a larger version of the following image in a popup: Edoardo Villa, Untitled (Marvo), 1993
Open a larger version of the following image in a popup: Edoardo Villa, Untitled (Marvo), 1993
Open a larger version of the following image in a popup: Edoardo Villa, Untitled (Marvo), 1993

Edoardo Villa South African/Italian, 1915-2011

Untitled (Marvo), 1993
Steel
49 x 78 x 39 cm
Edition of 9 (#7/9)
Signed, dated and numbered
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Further images

  • (View a larger image of thumbnail 1 ) Edoardo Villa, Untitled (Marvo), 1993
  • (View a larger image of thumbnail 2 ) Edoardo Villa, Untitled (Marvo), 1993
  • (View a larger image of thumbnail 3 ) Edoardo Villa, Untitled (Marvo), 1993
  • (View a larger image of thumbnail 4 ) Edoardo Villa, Untitled (Marvo), 1993
  • (View a larger image of thumbnail 5 ) Edoardo Villa, Untitled (Marvo), 1993
Marvo brings fabricated steel into a scale suited to private interiors. That shift has an economic history. Villa was known for public and architectural sculpture, but numbered, more domestic works...
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Marvo brings fabricated steel into a scale suited to private interiors. That shift has an economic history. Villa was known for public and architectural sculpture, but numbered, more domestic works opened his practice to a wider collector market without turning it into cast-bronze miniatures. Steel remained a material of industry and construction, yet its circulation changed – from civic commission to editioned object. Marvo is from that negotiation between public modernism, private ownership and the market that sustained studio production.

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