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Open a larger version of the following image in a popup: Edoardo Villa, Untitled (Ivor), 1993
Open a larger version of the following image in a popup: Edoardo Villa, Untitled (Ivor), 1993
Open a larger version of the following image in a popup: Edoardo Villa, Untitled (Ivor), 1993

Edoardo Villa South African/Italian, 1915-2011

Untitled (Ivor), 1993
Steel
35 x 61 x 45 cm
Edition of 9 (#4/9)
Signed, dated and numbered
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Further images

  • (View a larger image of thumbnail 1 ) Edoardo Villa, Untitled (Ivor), 1993
  • (View a larger image of thumbnail 2 ) Edoardo Villa, Untitled (Ivor), 1993
  • (View a larger image of thumbnail 3 ) Edoardo Villa, Untitled (Ivor), 1993
Ivor emerged at a moment when South African modernism itself required reassessment. Villa had long sought a sculptural language responsive to Africa while drawing on European modernism. By 1993, that...
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Ivor emerged at a moment when South African modernism itself required reassessment. Villa had long sought a sculptural language responsive to Africa while drawing on European modernism. By 1993, that ambition could no longer be separated from questions of who had access to institutions, commissions and historical recognition under apartheid. The work is valuable precisely because it carries both achievement and contradiction. Collecting it means preserving an object while participating in the continuing re-reading of the history that made it visible.

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