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    Open a larger version of the following image in a popup: Edoardo Villa, Untitled (Marvo), 1993
    Open a larger version of the following image in a popup: Edoardo Villa, Untitled (Marvo), 1993
    Open a larger version of the following image in a popup: Edoardo Villa, Untitled (Marvo), 1993
    Open a larger version of the following image in a popup: Edoardo Villa, Untitled (Marvo), 1993
    Open a larger version of the following image in a popup: Edoardo Villa, Untitled (Marvo), 1993

    Edoardo Villa South African/Italian, 1915-2011

    Untitled (Marvo), 1993
    Steel
    49 x 78 x 39 cm
    Edition of 9 (#7/9)
    Signed, dated and numbered
    Enquire
    %3Cdiv%20class%3D%22artist%22%3EEdoardo%20Villa%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUntitled%20%28Marvo%29%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1993%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ESteel%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E49%20x%2078%20x%2039%20cm%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EEdition%20of%209%20%28%237/9%29%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3ESigned%2C%20dated%20and%20numbered%3C/div%3E

    Further images

    • (View a larger image of thumbnail 1 ) Edoardo Villa, Untitled (Stallone), 1992
    • (View a larger image of thumbnail 2 ) Edoardo Villa, Untitled (Stallone), 1992
    • (View a larger image of thumbnail 3 ) Edoardo Villa, Untitled (Stallone), 1992
    • (View a larger image of thumbnail 4 ) Edoardo Villa, Untitled (Stallone), 1992
    • (View a larger image of thumbnail 5 ) Edoardo Villa, Untitled (Stallone), 1992
    Marvo brings fabricated steel into a scale suited to private interiors. That shift has an economic history. Villa was known for public and architectural sculpture, but numbered, more domestic works...
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    Marvo brings fabricated steel into a scale suited to private interiors. That shift has an economic history. Villa was known for public and architectural sculpture, but numbered, more domestic works opened his practice to a wider collector market without turning it into cast-bronze miniatures. Steel remained a material of industry and construction, yet its circulation changed – from civic commission to editioned object. Marvo is from that negotiation between public modernism, private ownership and the market that sustained studio production.

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